I don’t know how he can tell what’s a for-the-streets song and what works on an album, since it’s not like he stopped talking about selling drugs on either of his albums.
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So the construction of Freebase - six songs plus an intro track - is just about perfect. The new Freebase EP is 2 Chainz’ first mixtape since he got famous, and it makes the most of his strengths while utterly disguising his weaknesses.Ģ Chainz is still a somewhat limited rapper, a great guy for guest appearances but someone who can get a bit tiresome at album length.
Just about any of the tracks on his two B.O.A.T.S. albums could work as mixtape tracks, and actually the only time he ever loses the thread is when he tries to devote entire songs to talking seriously about his struggle. His jokes and references were broad at the outset, his flow had an appealingly goofy I-know-this-is-dumb-but-that-just-means-I’m-going-to-yell-it-louder lunacy working for it, and he’s had a natural gift for hooks every since he learned to stop taking himself seriously. Rare among the current rap A-list, 2 Chainz has barely done anything to switch up his mixtape style for mainstream rap consumption. But 2 Chainz is a star because of mixtapes, because of ridiculously catchy smart-dumb earworms like “Spend It” and “Riot” that took their time crossing over and convincing the world that the middle-aged guy with the dreads from Playaz Circle was going to be a thing now.
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But I gave it this week to 2 Chainz’ big mixtape-world return Freebase, using the logic that it’s more consistently fun than any of the others and I’m more likely to be banging it out the car windows in a month or two.Ģ Chainz was a rap-industry hanger-on for so long that it’s still hard to believe that he’s a straight-up star now it’s been a solid decade since the nascent rap internet was guffawing about the idea of Tity Boi trying to beef with T.I. Next week, if things are slow, maybe one of them will get it. Any of those tapes could’ve justifiably gotten the nod, and there were a few others that I didn’t even get around to checking out. The low-key Atlanta rap weirdo Rome Fortune teamed up with the great producer Dun Deal for the Drive, Thighs & Lies EP. Low Pros, the duo of A-Trak and Lex Luger, came out with the tough, frenetic dance-rap experiment EP1. Beyoncé production mastermind Boots came out with WinterSpringSummerFall, a deep-dive into his own production ideas that features some appealingly terrible rapping. This week, though, we got a generous handful of mixtapes worthy of your attention. , for instance, was so barren that I ended up giving the nod to the Devil’s VIOLENCE, a violent experiment that I might actually hate. Some weeks, there will be absolutely nothing exciting happening, and some weeks we’ll get so many good mixtapes, often on the same day, that I practically bust an eye vein stressing about which one I’m picking.
It is now a word to generally describe full-length albums released for free, which is the modern form of mixtape that was made a popular following by 50 Cent and his group G-Unit in the early 2000s, sometimes containing all original music, other times composed of freestyles and remixes of popular tracks.It’s funny how this Mixtape Of The Week business works. In the hip hop scene, mix tape is often displayed as a single term mixtape. Also since the 1990s, it describes releases used to promote one or more new artists, or as a pre-release by more established artists to promote upcoming "official" albums. Blend tapes became increasingly popular by the mid-1990s, and fans increasingly looked for exclusive tracks and freestyles on the tapes. Ron G moved the mixtape forward in the early 1990s by blending R&B a cappellas with hip hop beats (known as "blends"). In the mid-1980s, DJs, such as Brucie B, began recording their live music and selling their own mixtapes, which was soon followed by other DJs such as Kid Capri and Doo Wop.
(who later became known as Whiz Kid) and DJ Super V would create personalized House Tapes which would eventually circulate throughout New York City. In the late 70's into the early 80's DJs began recording mixtapes out of their homes, referring to them as House Tapes. As more tapes became available, they began to be collected and traded by fans. Hip hop mixtapes first appeared in the mid-1970s in New York City, featuring artists such as Kool Herc and Afrika Bambaataa. In hip hop's earliest days, the music only existed in live form, and the music was spread via tapes of parties and shows.
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